{"id":6532,"date":"2023-02-09T12:51:29","date_gmt":"2023-02-09T17:51:29","guid":{"rendered":"https:\/\/planetwordmuseum.org\/?p=6532"},"modified":"2023-04-05T10:56:53","modified_gmt":"2023-04-05T14:56:53","slug":"what-makes-a-great-love-song","status":"publish","type":"post","link":"https:\/\/planetwordmuseum.org\/what-makes-a-great-love-song\/","title":{"rendered":"What Makes a Great Love Song?"},"content":{"rendered":"

\u201cThe Love Song is the noise of love itself.\u201d
\n\u2014 Nick Cave, Australian musician (from a lecture delivered at the Atelierhaus der Akademie der Bildenden Kunste, Vienna on September 25, 1999)<\/p><\/blockquote>\n

Love is one of the most common themes in music, but why do we love \u201clove\u201d so much? And how can love songs pull on our heartstrings? Australian musician Nick Cave suggests<\/a> that \u201c[A]ll Love Songs must contain duende<\/em><\/span><\/a>. For the Love Song is never truly happy…The Love Song must resonate with the susurration of sorrow, the tintinnabulation of grief.\u201d Love songs embrace the conflict between wanting and not having, and it is this sense of passion and longing \u2014 and sometimes even heartbreak \u2014 that we are most drawn to. But how do you write song lyrics to make someone swoon?<\/p>\n

On February 11, 2021, UCLA English professor (and Planet Word Advisory Board<\/a> member) Adam Bradley helped us identify some of the most defining characteristics of love songs, which he says are part of a long tradition of love poetry. When it comes to love, \u201csongwriters now have to invent new figures, new ways of saying what people have been saying for millennia now.\u201d Some lyrics that might seem prosaic and corny now, such as Robert Burns\u2019s \u201cO my Luve is like a red, red rose \/ That\u2019s newly sprung in June; \/ O my Luve is like the melody \/ That\u2019s sweetly played in tune,\u201d were fresh and innovative when they were first published.<\/p>\n

There are only so many ways to talk about love straightforwardly and only so many ways to rhyme with it \u2014 think \u201cof,\u201d \u201cabove,\u201d \u201cthereof,\u201d \u201cdove,\u201d \u201cglove,\u201d and \u201cshove,\u201d some of which might sound strange in a love song. As such, in order to make something new and worth listening to, Bradley says songwriters \u201chave to find\u2026other techniques to expand the palette of the words that will work and will enhance our understanding of what love is.\u201d Some of these techniques include slant rhyme and other types of sound repetition (e.g., assonance, alliteration, epistrophe). But \u201cthe major technique that they employ is figurative language, metaphor and simile, to\u2026take from something else that\u2019s tangible and connect those properties to the way that we are feeling in the moment about love.\u201d<\/p>\n

At the same time, Bradley caveats that songwriters shouldn\u2019t get mired down in technique. The best love songs \u201chave what the Italian call sprezzatura<\/a><\/em>, a kind of a conscious ease and almost a carefully disheveled sense of it in that way, to seem spontaneous, to make it feel like love itself.\u201d<\/p>\n

With this in mind, let\u2019s break down the clever techniques used in the lyrics of some of our favorite love songs!<\/p>\n

 <\/p>\n

\u201cLove Is Like a Bottle of Gin\u201d<\/a> \u2014 The Magnetic Fields<\/h4>\n

The Magnetic Fields\u2019 \u201cLove Is Like a Bottle of Gin\u201d uses extended metaphor and simile in conjunction with wry irony to turn the common notion that love is intoxicating on its head. Other love songs that use this theme tend to focus on the liberating aspects of intoxication, rather than the messiness of a bad night out. While this song does not ignore these aspects of both love and gin, it is ultimately much more concerned with the cost.<\/p>\n

<\/center> <\/p>\n

\u201cLet\u2019s Do It (Let\u2019s Fall in Love)\u201d<\/a> \u2014 Cole Porter<\/h4>\n

Cole Porter\u2019s song \u201cLet\u2019s Do It (Let\u2019s Fall in Love)\u201d is a tongue-in-cheek call for romance. Porter uses double entendre to code his less-than-safe-for-work message, as well as different types of repetition to add an extra layer of playfulness. A prime example of double entendre is at the beginning of the song when Porter uses the ambiguity of the word \u201cblue\u201d \u2014 meaning \u201cthe color blue,\u201d \u201cmelancholy,\u201d and even \u201cbawdy,\u201d as in \u201cblue comedy\u201d \u2014 to say that nature is telling us it\u2019s time to fall in love.<\/p>\n

<\/center> <\/p>\n

\u201cHelpless\u201d<\/a> \u2014 Lin-Manuel Miranda<\/h4>\n

In addition to rhyme at the end and in the middle of lines, Lin-Manuel Miranda uses assonance to serve his storytelling in the song \u201cHelpless\u201d from Hamilton<\/em>. In the song, Eliza wants nothing more than to be in love with this one man, Alexander Hamilton, and have a family with him. Miranda repeats the sound \u201cAI,\u201d echoing Eliza\u2019s name, across numerous lines to emphasize her longing and create tension.<\/p>\n

<\/center> <\/p>\n

\u201cStereo Hearts\u201d<\/a> \u2014 Gym Class Heroes (ft. Adam Levine)<\/h4>\n

\u201cStereo Hearts\u201d by Gym Class Heroes leans into the corniness of love songs, primarily using different types of rhyme \u2014 notably, slant rhyme and mosaic rhyme, both of which are very common in rap \u2014 within the extended metaphor of the singer\u2019s heart being an old-school boombox.<\/p>\n

<\/center> <\/p>\n

\u201cDrop the Pilot\u201d<\/a> \u2014 Joan Armatrading<\/h4>\n

In her song \u201cDrop the Pilot,\u201d Joan Armatrading uses anaphora to persistently ask the person she loves to drop their current partner and choose her instead. In doing so, she contrasts herself with a catalog of people from different professions to say she is a better match.<\/p>\n

<\/center> <\/p>\n

What love songs make you swoon? Let us know on social media by tagging @PlanetWordDC or #PlanetWord.<\/p>\n

\n

This blog post is adapted from a virtual program held on February 11, 2021.<\/em><\/p>\n

Adam Bradley<\/strong> is a Professor of English at UCLA and Planet Word advisory board member. He was instrumental in developing our karaoke-style Unlock the Music gallery, where you learn about the songwriting techniques used in songs as you sing along.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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